QIM|31

Descrizione

Nel trattato vengono affrontati, per la prima volta, argomenti teorici inerenti l’Armonia, il Contrappunto e la Fuga, elaborati in modalità informatica con l’ausilio di algoritmi dedicati, tratti dall’analisi dei rispettivi principi matematici e armonici, in grado di creare dinamicamente modelli originali, e non semplici cloni, in base alle regole apprese. Per seguire e comprendere il testo è necessario, oltre la conoscenza della teoria musicale di base, avere pratica di programmazione in PHP o in un qualsiasi altro linguaggio strutturato. I file generati, alcuni dei quali, ad esempio, con oltre 150.000 linee di codice (nelle fughe ad otto parti), sono in formato MusicXML e gli script (open source) sono riportati integralmente nei testi in Appendice oltre ad essere disponibili in download (insieme al testo in pdf) per un rapido utilizzo.

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The treatise deals, for the first time, theoretical topics concerning Harmony, Counterpoint and Fugue, elaborated in computer mode with the help of dedicated algorithms, taken from the analysis of their respective mathematical and harmonic principles, able to dynamically create original models, and not simple clones, according to the rules learned. To follow and understand the text it is necessary, beyond the knowledge of basic music theory, to have programming practice in PHP or any other structured language. The generated files, some of which, for example, with over 150,000 lines of code (in the eight-part joints), are in MusicXML format and the scripts (open source) are reported in full in the texts in the Appendix as well as being available for download (along with the pdf text) for quick use.

Indice vol. XII: PREMESSA 9, LA FUGA 19, La Fuga a 4 Parti 21, Studio 2: le parti 22, Studio 3: le parti 36, Studio 4: le parti 62, Studio 8: Fuga in doppia accollatura 99

APPENDICI 141, APPENDICE 1 143, SCRIPT 35 – script/processi/pat23.php 143, SCRIPT 36 – script/editor_a.php 143, SCRIPT 37 – composer/studio_2.php 154, SCRIPT 38 – composer/studio_3.php 168, SCRIPT 39 – script/editor_b.php 183, SCRIPT 40 – script/processi/pat24.php 205, SCRIPT 41 – composer/studio_3a.php 206, SCRIPT 42 – composer/studio_4.php 221, SCRIPT 43 – script/processi/editor_c.php 236, SCRIPT 44 – composer/studio_4a.php 265, SCRIPT 45 – composer/studio_8.php 280, SCRIPT 46 – script/processi/editor_d.php 297, SCRIPT 47 – script/processi/editor_generale.php 326, SCRIPT 48 – composer/studio_8b.php 373, SCRIPT 49 – composer/studio_8c.php 390, SCRIPT 50 – composer/studio_8d.php 407, SCRIPT 51 – script/processi/pat25.php 424, APPENDICE 2 425, SCRIPT 1 – xsd/dict.php 425, SCRIPT 2 – xsd/note.php 432, ALGOR 435, DIRECTORY ALGOR 435, SCRIPT 1 – index.php 436, SCRIPT 2 – comm/comuni.php 437, SCRIPT 3 – comm/controllo.php 440, SCRIPT 4 – comm/controllo1.php 442, SCRIPT 5 – comm/controllo2.php 443, SCRIPT 6 – comm/controllo3.php 444, SCRIPT 7 – comm/controllo4.php 449, SCRIPT 8 – comm/menu.php 450, SCRIPT 9- comm/menu1.php 451, SCRIPT 10 – comm/menu2.php 452, SCRIPT 11 – comm/postconf.php 452, SCRIPT 12 – db/comp/demo/par.inc 456, SCRIPT 13 – db/comp/demo/str.inc 457, SCRIPT 14 – db/data/demo_accordi.conf 457, SCRIPT 15 – db/data/demo_irregolare.conf 459, SCRIPT 16 – db/data/demo_melos1.conf 461, SCRIPT 17 – db/data/demo_melos2.conf 463, SCRIPT 18 – db/data/demo_modulazione.conf 465, SCRIPT 19 – db/data/demo_sequenze.conf 468, SCRIPT 20 – db/data/demo_trerighi.conf 471, SCRIPT 21 – db/std/end_std.php 473, SCRIPT 22 – db/std/pre_std.php 474, SCRIPT 23 – script/algoreader.php 475, SCRIPT 24 – script/ctlo.php 476, SCRIPT 25 – script/dettaglio.php 481, SCRIPT 26 – script/funzioni.php 483, SCRIPT 27 – script/postelab.php 509, SCRIPT 28 – script/prelab.php 512, SCRIPT 29 – script/report.php 520, SCRIPT 30 – script/savefile.php 522, SCRIPT 31 – script/setpro.php 524, SCRIPT 32 – script/sviluppo.php 525, DOWNLOAD 533, Allegati & Diritti 533, Studi e trattati sulla composizione musicale mediante algoritmi* 534