QIM|39

Descrizione

Nel trattato vengono affrontati, per la prima volta, argomenti teorici inerenti l’Armonia, il Contrappunto e la Fuga, elaborati in modalità informatica con l’ausilio di algoritmi dedicati, tratti dall’analisi dei rispettivi principi matematici e armonici, in grado di creare dinamicamente modelli originali, e non semplici cloni, in base alle regole apprese. Per seguire e comprendere il testo è necessario, oltre la conoscenza della teoria musicale di base, avere pratica di programmazione in PHP o in un qualsiasi altro linguaggio strutturato. I file generati, alcuni dei quali, ad esempio, con oltre 150.000 linee di codice (nelle fughe ad otto parti), sono in formato MusicXML e gli script (open source) sono riportati integralmente nei testi in Appendice oltre ad essere disponibili in download (insieme al testo in pdf) per un rapido utilizzo.

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The treatise deals, for the first time, theoretical topics concerning Harmony, Counterpoint and Fugue, elaborated in computer mode with the help of dedicated algorithms, taken from the analysis of their respective mathematical and harmonic principles, able to dynamically create original models, and not simple clones, according to the rules learned. To follow and understand the text it is necessary, beyond the knowledge of basic music theory, to have programming practice in PHP or any other structured language. The generated files, some of which, for example, with over 150,000 lines of code (in the eight-part joints), are in MusicXML format and the scripts (open source) are reported in full in the texts in the Appendix as well as being available for download (along with the pdf text) for quick use.

Indice vol. XX: Composizione Parte VI 19, Tecnica MPT 21, Modali Pentatonali in Tritono 24, MPT-P.1-3.6 36, MPT-P.2-3.6 39, Correttore di dissonanze: $cdis 43, Correttore di settime: $cset 45, MPT-P.3-3.6 47, MPT-P.4-3.6 54, Polimodale indicizzato 60, Sostituzione di tritono in progressione 77, Integrali, Esatonali e Pentatonali MPT 89, Tritono su pentatonale minore 106

APPENDICE 1 137, 1 – mpt1/mpt1.php 137, 1b – mpt1/par.php 138, 1c – mpt1/pre.php 140, 2 – prog1/prog1.php 143, 2b – prog1/par.php 145, 2c – prog1/pre.php 147, 3 – mpt2/mpt2.php 149, 3b – mpt2/par.php 151, 3c – mpt2/pre.php 153, 4 – mpt4/mpt4.php 156, 4b – mpt4/par.php 158, 4c – mpt4/pre.php 159, 5 – mpt5/mpt5.php 162, 5b – mpt5/par.php 164, 5c – mpt5/pre.php 166, 6 – mpt6/mpt6.php 168, 6b – mpt6/par.php 170, 6c – mpt6c/pre.php 172, 7 – mpt7/mpt7.php 174, 7b – mpt7/par.php 174, 7c – mpt7/pre.php 174, 8 – mpt8/mpt8.php 174, 8b – mpt8/par.php 175, 8c – mpt8/pre.php 177, 9 – mpt9/mpt9.php 177, 9b – mpt9/par.php 177, 9c – mpt9/pre.php 179, 10 – mpt10/mpt10.php 179, 10b – mpt10/par.php 179, 10c – mpt10/pre.php 182, 10b_a – mpt10b/mpt10b.php 182, 10b_b – mpt10b/par.php 182, 10b_c – mpt10b/pre.php 182, 10c_a – mpt10c/mpt10c.php 182, 10c_b – mpt10c/par.php 183, 10c_c – mpt10b/pre.php 183, 10d_a – mpt10d/mpt10d.php 183, 10d_b – mpt10d/par.php 183, 10d_c – mpt10d/pre.php 183, 10e_a – mpt10e/mpt10e.php 184, 10e_b – mpt10e/par.php 184, 10e_c – mpt10e/pre.php 184, 11 – mpt11/mpt11.php 184, 11b – mpt11/par.php 184, 11c – mpt11/pre.php 187, 12 – mpt12/mpt12.php 189, 12b – mpt12/par.php 189, 12c – mpt12/pre.php 189, 12a – mpt12a/mpt12a.php 189, 12a_b – mpt12a/par.php 191, 12a_c – mpt12a/pre.php 193, 13 – mpt13/mpt13.php 195, 13b – mpt13/par.php 198, 13c – mpt13/pre.php 200, 13a – mpt13a/mpt13a.php 202, 13a_b – mpt13a/par.php 204, 13a_c – mpt13a/pre.php 206, 14 – mpt14/mpt14.php 208, 14b – mpt14/par.php 211, 14c – mpt14/pre.php 212, 15 – mpt15/mpt15.php 214, 15b – mpt15/par.php 217, 15c – mpt15/pre.php 219, 16 – mpt16/mpt16.php 221, 16b – mpt16/par.php 221, 16c – mpt16/pre.php 223, 17 – mpt17/mpt17.php 223, 17b – mpt17/par.php 223, 17c – mpt17/pre.php 225, 18 – mpt18/mpt18.php 225, 18b – mpt18/par.php 228, 18c – mpt18/pre.php 229, 18a – mpt18a/mpt18a.php 232, 18a_b – mpt18a/par.php 234, 18a_c – mpt18a/pre.php 236, 18c – mpt18c/mpt18c.php 239, 18c_b – mpt18c/par.php 241, 18c_c – mpt18c/pre.php 243, 18d – mpt18d/mpt18d.php 246, 18d_b – mpt18d/par.php 248, 18d_c – mpt18d/pre.php 250, 19 – mpt19/mpt19.php 252, 19b – mpt19/par.php 255, 19c – mpt19/pre.php 256, 20 – mpt20/mpt20.php 259, 20b – mpt20/par.php 262, 20c – mpt20/pre.php 264, 20a – mpt20a/mpt20a.php 266, 20a_b – mpt20a/par.php 268, 20a_c – mpt20a/pre.php 270, 21 – mpt21/mpt21.php 272, 21b – mpt21/par.php 274, 21c – mpt21/pre.php 276, 22 – mpt24/mpt24.php 279, 22b – mpt24/par.php 281, 22c – mpt24/pre.php 283, APPENDICE 2 286, 1 – xsd/dict.php 286, 2 – xsd/note.php 308, APPENDICE 3 310, Strumenti GeneralMIDI 310, Percussioni 313, ALGOR 2.1 314, DIRECTORY ALGOR 314, 1 – index.php 316, 2 – classi/com/conv_mts.php 317, 3 – classi/com/dict.php 319, 4 – classi/com/funzioni.php 340, 5 – classi/com/mrend.php 372, 6 – classi/com/seriale.php 373, 7 – comm/comuni.php 424, 8 – comm/controllo.php 427, 9 – comm/controllo1.php 429, 10 – comm/controllo2.php 431, 11 – comm/controllo3.php 431, 12 – comm/controllo4.php 438, 13 – comm/controllo5.php 439, 14 – comm/controllo6.php 440, 15 – comm/controllo7.php 441, 16 – comm/menu.php 442, 17 – comm/menu1.php 444, 18 – comm/menu2.php 445, 19 – comm/menu3.php 445, 20 – comm/postconf.php 446, 21 – script/algoreader.php 450, 22 – script/ctlo.php 451, 23 – script/dettaglio.php 457, 24 – script/funzioni.php 459, 25 – script/postelab.php 490, 26 – script/prelab.php 493, 27 – script/report.php 501, 28 – script/savefile.php 504, 29 – script/setpro.php 507, 30 – script/sviluppo.php 508, DOWNLOAD 521, Allegati & Diritti 521, Studi e trattati sulla composizione musicale mediante algoritmi 522